My practice begins at the intersection of image, memory, nature, and history. As a Brazilian artist based in São Paulo, I approach photography not only as a means of representation, but as a way of questioning how we construct knowledge about the world — what we preserve, what we classify, what we remember, and what is left outside the image.

Time is central to my work, both as subject and as method. I am interested in the ways it acts upon living matter, photographs, archives, and memory: transforming, eroding, accumulating and sometimes producing new meanings. Light, shadow, surface and materiality become part of this investigation, allowing the photographic image to operate less as fixed evidence than as a mutable space where different temporalities coexist.

Working within the expanded field of photography, I combine analog and digital processes, archival material, mixed media, artificial intelligence, image manipulation and, more recently, material experiments involving plants, pigments and historical botanical imagery. These processes allow documentary traces, fiction, technological mediation and physical matter to inhabit the same image.

My recent research has increasingly turned toward archives and the systems through which nature and history have been observed, named and classified. From my position in Brazil, this has led me to examine botanical and colonial archives, indigenous and scientific forms of naming, and the ways images have participated in constructing particular understandings of territory and the natural world. In other projects, the archive becomes a space for investigating private memory, collective history, displacement, fear and the instability of remembrance.

Across these different bodies of work, I am drawn to thresholds: between document and fiction, preservation and disappearance, the visible and the invisible, human experience and the material world. Rather than treating photography as a neutral record, I understand the image as a site where memory is continually constructed, altered and negotiated.